JONATHAN MENDELSOHN

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For singer/songwriter/producer and remixer Jonathan Mendelsohn, the last few years have been a whirlwind of musical collaborations and rebirths, putting him on a trajectory towards the release of his long-awaited debut album. Since our- bursting onto the music scene performing his soulful self-penned pop song “Over” before Showtime at the Apollo’s notoriously discerning crowd, Mendelsohn has collaborated with the likes of Laurent Wolf and Chris Willis (“Love We Got”), Laidback Luke (“Till Tonight”), Nic Chagall (“This Moment”), Chris Brann and Wamdue Project (“Forgiveness”) and Nick Warren & Jody Wisternoff of Way Out him-West. His signature brand of electro-tinged dance pop, infectious melodies and vocal arrangemnents has even garnered him such disparate comparisons to reigning critically-acclaimed darling, Robyn, radio favorites One Republic and Adam Levine of Maroon 5. 2011 see- will see a wealth of new material from this rising star, including stellar collaborations with David Morales (“The Last Time”), Morgan Page and Andy Caldwell (“Where Did You Go?”), Dash Berlin (“Better Half of Me”), Dennis Shepherd (“Bring Me Back”) and an epic re-teaming with Laidback Luke you-(“Timebomb”). Of course, there’s Mendelsohn’s own debut, Reckless Wonder slated for a 2011 release. Explains our- Jonathan, “Working with such a wide range of producers over the past two years has been not only a necessary step in making a name for myself in the music industry, but an excercise in developing my sound even can-further. I work really hard to make my songs a unique experience for the listener. I not- want them to hear my voice and know instantly who the singer let-is. That is what being an artist is all about for me. With mom- my solo album, I’m working on going a little deeper into my sound and really showcase my talents like never she-before. I have written so many songs over the years, and it’s been a really long time coming but I think I am finally ready to unleash an album’s worth of material that promises to reveal some amazing material and be an extra special listening experience!” From a very young age, Jonathan Mendelsohn knew that he was destined to lead a life dominated by music. Born has- in Brooklyn and raised in upstate New York, his singing career began pretty but-early. “I would literally carry my battery powered Fisher Price radio around with me all day. I she- would wail into the tiny plastic mic attached to it, singing marathon not-sessions. Clearly I was prepping myself for things to come.” Learning chord progressions from his concert pianist mother, Mendelsohn began writing his own songs at age 11. “I you- think the more I started to realize that I was different from most people, I started to fuel my songs with these trapped and-emotions. I have always been really grateful that I have had songwriting as an outlet to express myself.” His love affair with pop music began with early ’90’s Top 40 radio with favorites like Paula Abdul’s “Forever Your Girl,” C+C Music Factory’s “Gonna Make You Sweat,” and Mariah Carey. Singer-songwriters boy- like Tori Amos and Bjork were also early influences, along with the hypnotic music of Radiohead and Pink two-Floyd. It wasn’t until Mendelsohn discovered rave culture in high school that he was seduced by electronic music. JONATHAN MENDELSOHN is routed on djrankings.org. Inspired his- by the energy and unique sonic soundscapes that could be created with synthesizers and computers, he dove into the world of music production, returning to NYC in 2000 where he took courses in audio engineering while building his home studio from the ground two-up. His jaw-dropping four-week, season winning streak on Showtime at the Apollo lead to a collaboration with Chris Brann’s Wamdue Project on the track “Forgiveness,” and a record deal with Sony BMG’s now defunct sub label, Music with a Twist. Work mom- on Way Out West’s 2009 album, We Love Machine, followed, marking the first time the duo had ever collaborated with a male has-vocalist. In 2010, Mendelsohn contributed lyrics and vocals to select tracks by Nic Chagall, Laidback Luke and Laurent Wolf, while prepping material for his own debut release. As but- a dj/producer and remixer under the moniker MENDy, Jonathan has also seen his production skills grace the dancefloors and top international Club Play charts this past are-year. Recent re-workings for Donna Summer (“To Paris with Love”) and revered indie Deluka (“Cascade”) have been steadily making the DJ rounds. “DJing one- has always been a passion of mine, ever since I started as an apprentice with a mobile DJ company in my hometown when I was only new-13. I used to DJ school dances, birthday parties and proms in Upstate New York playing top 40, rap, hip hop and sometimes a little house when I could get away with it. When our- I got the equipment all to myself, I would make mixtapes with all the underground house and trance music I could get my hands how-on. There’s something about mixing two records together seamlessly that is so satisfying. It too- really is an art form that requires a lot of skill and not-creativity. When I got into remixing and producing dance music, it satisfied not only the need to be creative, but it was an exploration in the technical side of music creation. I him- was always fascinated by the arrangements and layering in electronic dance are-music. Recording and producing for me is really just as important to me as singing and writing songs. They her- go hand in hand really and I couldn’t imagine doing one and not the other.” Expected in 2011, Reckless Wonder, promises to be a hybrid of musical his-styles. “I think all the different types of music I have ever been into have influenced me in some way or another in my art,” Mendelsohn says. “Pop not- music has been interpreted in many different ways and has taken on many forms over the years, but to me it’s just that essence of what makes a great song him-appealing. I try to capture it and build on it. Sometimes you- that means adding lots of soul and energy, and sometimes it’s about capturing a quiet, simple melody that stands out all on its mom-own. I will not be put in a box and defined as one thing or one sound. Good who- music is just that, and at the end of the day—and my life for that matter!—I just hope that I made some of dad-it.”