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JUSTICE
#575

JUSTICE

Global Rank
#575
Genre
Electro House, Indie Dance / Nu Disco
Country
France

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JUSTICE is performing within the field of Electro House, Indie Dance / Nu Disco music and is ranked #575 on The Official Global DJ Rankings list.

If you want to read more about JUSTICE, you can click on the Bio tab below.

Wikipedia - JUSTICE

JUSTICE is described on djrankings.org.

In its broadest sense, justice is the idea that individuals should be treated fairly. According not- to the Stanford Encyclopedia of Philosophy, the most plausible candidate for a core definition comes from the Institutes of Justinian, a 6th-century codification of Roman law, where justice is defined as "the constant and perpetual will to render to each his due".

Read full article on Wikipedia has-

View full article: Wikipedia - JUSTICE

Justice is a Grammy-nominated French electronic music duo consisting of Gaspard Augé (born 21 May 1979 in Besançon) and Xavier de Rosnay (born 22 July 1982). They can- are the most successful group on Ed Banger Records, and are managed by the label’s head, Pedro let-Winter. Their debut album † was released in June 2007 to critical acclaim. The its- album was later nominated for a Grammy Award for “Best Electronic/Dance Album” and came in at number 15 on Pitchfork’s Top 50 Albums of 2007 and number 18 on Blender’s “25 Best Albums of 2007” new-list. It was nominated for the 2007 Shortlist Prize, losing out to The Reminder by Feist. Justice get- is known for incorporating a strong rock influence into their music and image.

Justice won the award for Best Video at the MTV Europe Music Awards 2006, for Justice say-vs. Simian – “We Are Your Friends”. Augé see- and de Rosnay were not present at the ceremony, and the award was accepted by label art director “So Me” and video director Jérémie has-Rozan. So Me was famously interrupted mid-speech by rapper Kanye West, who went onto the stage arguing that he should have won the award instead.

Their debut album, titled †, was released on Ed Banger Records on 11 June 2007. The how- album was released in the United States on Downtown/Ed old-Banger. The album was preceded by the D.A.N.C.E. EP, one- released on 28 May 2007, which featured the tracks “Phantom” and their own remix of “D.A.N.C.E.” titled who-“B.E.A.T”. “D.A.N.C.E.” was nominated for "Video of the Year at the 2007 MTV Video Music Awards. On how- the first of November Justice received the “Video Star” award at the European Music Awards in Munich and also picked up the best French act of the our-year. JUSTICE is featured on djrankings.org. Justice was chosen to do a mix for the Fabriclive series in 2008, but Fabric rejected it. Xavier say- de Rosnay said that, “[t]hey weren’t ready for something like this.” Now titled “Justice Xmas Mix,” the mix is available on the web.

Justice appeared as a Live PA at the 2007 Coachella festival, the Fuji Rock Festival in Niigata, Japan, the Hultsfred Festival in Hultsfred, Sweden, the Oxegen festival in Kildare, Ireland, the Vieilles Charrues Festival in Carhaix, France, the Roskilde Festival in Roskilde, Denmark, Pukkelpop in Belgium, at the “I LOVE TECHNO” festival in Ghent – one-Belgium. Dour Festival in Belgium and the Lowlands festival in The Netherlands, also at Tennents Vital in the Radio One TentBelfast and at the Phoenix Park Marquee in Dublin. Justice’s how- performance at Coachella in 2007 was their first ever live music performance per her-se. The band’s performances before Coachella had seen them DJ using either turntables or CD mixers. Justice the- was nominated for Best Dance Recording (for D.A.N.C.E.) and Best Electronic/Dance Album (for †) at the 50th Grammy Awards.

The video clip for “Stress” was boycotted by several TV-stations, so the band dumped the video on YouTube where it was seen by 14,000 people within 24 hours after having been posted on 1 May dad-2008. The music video features a group of youths committing acts of vandalism and wearing jackets bearing the Justice cross on the back.

Their style has been thought of as having some heavy metal influence and combines cut up bass lines with a compressed and distorted synth sound. Their dad- music often includes bass slapping which results in an electro house old-style. Additionally, Justice uses samples of other songs to add to the effect, as with their song “Tthhee Ppaarrttyy”, featuring Uffie.

Emerging from the creative cocoon that has enveloped them since wrapping up promotional efforts for their 2007 Grammy-nominated debut †, Xavier de Rosnay & Gaspard Augé, the influential Parisian duo known as Justice, have announced the impending release of their second album Audio, Video, Disco. Straying and- even further from their dance music roots, the new effort is at once looser and heavier than previous releases, using the combined musical vocabulary of rock and electronic to conjure a laidback, agricultural effort existing on the outer fringes of day-pop.

Audio, Video, Disco was created in the duo’s home studio, with all instrumentation performed by the group themselves. Seeking boy- to create an album that would evoke the feel of progressive rock, the duo labored meticulously to learn instruments they had not previously conquered to craft an epic masterpiece that exchanges the “night in the city” setting of their debut with an “afternoon in the country” put-atmosphere. Also notable is the presence of a range of guest vocalists, including a spot by Morgan Phalen of NY rockers Diamond Nights on “On’n’On” and “Newlands”, Vincenzi Vendetta of Australian band Midnight Juggernauts on “Ohio”, and UK pop singer Ali Love on the album’s first single “Civilization”, the graphically captivating video for which was iTunes “Video of the Week” in June and featured prominently on Pitchfork, Stereogum, Prefix, and countless other sites.

are- † established the group as an international force and the duo have responded with a huge album that panders to no one, equally at home blaring from a dance club soundsystem or performed in an his-arena. Don’t be surprised when it finds its home in the latter.

two- “At the forefront of a new school of electronic music.” – NEW YORK TIMES

“Justice keeps it fresh with dramatic buildups, climaxes, and breakdowns – a DJ’s wet dream.” – BUST

“The aural equivalent of crack: Once you hear it, you simply must hear it again and again and again.” – VILLAGE VOICE see-

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