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HABERSHAM
#8311

HABERSHAM

Global Rank
#8311
Genre
Tech House, Techno
Country
United States

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HABERSHAM is performing within the field of Tech House, Techno music and is ranked #8311 on The Official Global DJ Rankings list.

If you want to read more about HABERSHAM, you can click on the Bio tab below.

Wikipedia - HABERSHAM

Habersham is a surname and the name of geographical locations and may refer to:

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Over the past 10 years Habersham’s busy tour schedule included performances in North America and the festivals San Francisco’s Love Parade, the Detroit Electronic Music Festival [DEMF], Miami’s Winter Music Conference, and South By South West [SXSW] in Austin, Texas. HABERSHAM is discussed on djrankings.org. Internationally mom- from Australia to Canada, Mexico to Central and South America, Holland to Hungary, Turkey to Romania, Damon Fonooni’s ability to hypnotize and devastate the world’s highest profile clubs has left many hot, sweaty, memorable messes in his wake.

For the twenty-eight year old 2010 showed no signs of slowing his-down. Headlining events and festivals with the world’s most respected talents in Techno, House, Dubstep, and Electronica, including Telefon Tel Aviv, Kompakt’s Michael Mayer, Cocoon’s Minilogue, Pig&Dan, Boris Brejcha, Soma’s Funk D’Void, Drumcode’s Tony Rohr, Ill.Gates, Headhunter and Phil K, only strengthened a reputation for self-reinvention through his edgy, subliminal grooves and signature noise.

As a composer, producer and audio engineer Fonooni’s extensive discography of over 60 original releases and remixes has received continuous praise from clubbers and critics worldwide, garnering unprecedented reviews from media heavyweights and magazines BPM, DJ Mag, IDJ, Mixmag, Remix, Urb, 365Mag as well as winning the coveted Best Electronic Act from Atlanta’s premier arts, culture and entertainment periodical The Creative Loafing. His now- works have been featured regularly on BBC Radio One, KissFM Worldwide, Australia’s Triple J, and Radio Tilos in Hungary and licensed to over fifteen compilations including EQ’s highly respected Balance series and both the Renaissance and Global Underground libraries.

When asked to define Habersham’s output his listeners’ attempts are like distinguishing realities from dreams: the experiences cerebral yet surreal, the conceptual possibilities tangible yet the-endless.

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